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Elements and Performance Criteria

  1. Plan performance program
  2. Prepare for performances
  3. Develop interpretation

Required Skills

Required skills

communication and teamwork skills sufficient to

interpret music appropriately for performances

collaborate effectively with other artists and technical personnel involved in rehearsals and performances

discuss program requirements in a collaborative manner

listening skills in the context of

listening critically to and adjusting own performance to achieve the required sound

recognising intervals chords scales and chord progressions in selected area of specialisation

responding to other players and adjusting own performance accordingly

technical and problemsolving skills sufficient to

use a range of instrumental techniques in selected area of specialisation

tune instrument to achieve intonation

use a variety of rhythms time signatures beat patterns and rhythmic styles relevant to specialisation

use a variety of scales chord sequences and music systems in selected area of specialisation

learning skills in the context of

practising strategically to overcome specific technical expressive or soundproduction problems

using feedback to identify strengths and weaknesses in technique to improve own technical facility

extending repertoire knowledge

selfmanagement and planning skills sufficient to

plan performance program and practice time prior to performances

allow sufficient time for warmup prior to performances

demonstrate reliability in all agreed work commitments

initiative enterprise and creativity in the context of

phrasing and shaping music appropriately

understanding and expressing appropriate musical nuance

achieving own individual style of musical expression

performing appropriately for the context of venues sound forces and perceived audience taste

Required knowledge

acoustic principles relevant to selected instrument and area of specialisation

music vocabulary and terminology

instrument parts applications range capabilities care and maintenance

repertoire relevant to the selected instrument and area of specialisation

rehearsal and performance protocols

issues and challenges that arise in the context of preparing a program for performance

OHS principles relevant to particular performance contexts such as

legislation

policies and best practice

hearing protection

protection of body against overuse injury

safe lifting practices

performance anxiety

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

prepare a program for performance in response to specific requirements

achieve the required level of performance skills prior to performance

collaborate effectively with others involved in the performance

Context of and specific resources for assessment

Assessment must ensure

access to relevant instruments and equipment

appropriate venue with adequate space and acoustic qualities for solo performances

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of the candidate and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

discussion of planning a program for performance

evaluation of draft and final programs prepared by the candidate

written or oral questioning to test knowledge as listed in the required knowledge section of this unit

case studies and scenarios as a basis for discussion of methods strategies and other issues involved in planning and preparing a program for performance

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUSMPFA Rehearse music for group performances

CUSMPF401A Rehearse music for group performances

CUSMPFA Incorporate interactive technology into performance

CUSMPF502A Incorporate interactive technology into performance

CUSMPFA Develop technical skills and expand repertoire

CUSMPF506A Develop technical skills and expand repertoire

CUSMPFA Present live audition programs

CUSMPF507A Present live audition programs.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Requirements may include:

time

venue

length of performance

content:

repertoire

contrasts within the program material

particular stylistic requirements

performance breaks

duration requirements for each piece presented

number of pieces to be prepared

ensemble size

resources:

instruments

instrumental accessories

sound equipment

microphones

sheet music

music scores

music stands

accompaniment

movement and dress standards.

Appropriate personnel may include:

musical director

producer

performer

mentor

teacher

coach

tutor

conductor

agent.

Purpose of the performance may be for:

general public

entertainment

concert

dance

corporate purposes

cultural purposes

marketing and promotion

a specific age group

educational purposes

schools or other institutions

special communities

special occasions

public and/or religious ceremonies

auditions

audio or video recordings.

Listening may include:

responding creatively and sensitively to other performers in ensemble performance

tuning instrument

pattern and sequence recognition and memory

reproducing sequences from memory

distinguishing stylistic features

instrumental and vocal sound production

aural imagination to develop repertoire and musical material

recognising music systems and practices.